I got my first Beach Boys album "All Summer Long" when I was 13 in the summer of 1964. And I can still remember how I felt the first time I heard Brian's falsetto on "Don't Back Down", singing the line "You gotta be a little nuts". I couldn't put it into words at the time but I think that was the first time I got an inkling that there was something greater than what I had experienced up to that point. To this day I still love Brian Wilson and hearing that line still gives me goosebumps....Nolan Strong has an amazing voice and he was also a big influence on Smokey Robinson. "The Wind" has a kind of an ethereal quality so that when I hear it I feel like I am in this huge cathedral on a mountaintop somewhere. For me it kinda puts into perspective how insignificant we all are, but in a good way.
I was lucky enough to see Roky Erickson in concert twice last year. First time was at Southpaw in Brooklyn where he was nothing short of brilliant. The second time was a free concert in Battery Park where he played with such fire and energy that it was as if God tapped him on the shoulder and said "Tonight I speak through you". He really was that good! I don't know how often he plays, but if you get a chance to see him don't pass it up. "...Here Before" has always been one of my favorites with a quiet intensity that never fails to captivate me...There's not much I need to say about "Look Through Any Window". The Hollies have some of the best harmonies in the history of R&R and this is (for me) one of their top songs. Ripped here by yours truly in glorious mono the way it was intended.
The Mega City 4 never got much notice in the U.S. although in England they were the darlings of the indie pop crowd back in the early 90s. But unlike many 'hype-of-the-month' bands, these guys really delivered the goods again and again. "Stop" is only one of many terrific records they made...One of my favorite parts of "Good Morning Vietnam" was when they played "What A Wonderful World" and juxtaposed it against the horrors of what was happening there. There've been many versions of this classic but nobody does it like Satchmo, although I also really like Joey Ramone's version...For years I was a diehard Patti Smith fan but as I've gotten older her music just doesn't speak to me the way it used to. "Mother Rose" though, still touches me. There's something so comforting about it. When I listen to it I feel safe and warm, like the good guys will win and we'll all live happily ever after.
I can't put up a post without at least one 60s garage record. That is definitely my favorite among all the many different types of music I love. This classic from the Aardvarks seems to be the perfect fit here. You can hear more from them on the fabulous Fenton Records Story 2-disc set from which this is taken..."Bubblegum Factory" by Redd Kross is one of those feel-good records I was talking about earlier. It's from "Third Eye" which many (myself included) consider their best album and was just reissued earlier this year. They played a few shows in the NYC area last winter and they've definitely still got it...Back in the early-mid 90s when I was doing record reviews for a number of small fanzines there was a thriving punk music scene in Finland (perhaps there still is for all I know) and Jalla Jalla were my personal favorite of all the bands that came out of that scene. "Minnesota Plates" was their 'big' single and it still sounds great to me.
I really love this Gene Vincent track. I always thought it would be a great song for the A-Bones to cover with Miriam Linna singing lead. Be-I-Bicky-Bi-Go-Go-GO!...I know that "...Planet" is about the first rush of heroin and while I've never experienced that dubious pleasure, there's no denying the sheer exuberance of what is probably the song many people (myself included) know best by The Only Ones..."Win Or Lose" is a picture-perfect slice of punkified British R&B that in a more just world would've been a big hit and made the Lew Lewis Reformer household names. Although they are in this household anyway...When I read record reviews of Jazz albums by critics who talk about who played what with whom etc. etc. I realize very quickly how little I know about the subject. But I know what I like and I know that every time I listen to this fantastic Charles Mingus track I hear something new in it. I also can hear enough to know why he is regarded as a God among 'real' Jazz fans.
Next to listening to music, one of my favorite things is talking about music. So, if there was something you particularly liked (or particularly didn't) please leave comments.
01 The Beach Boys - Don't Back Down
02 Nolan Strong & The Diablos - The Wind
03 Roky Erickson - I Have Always Been Here Before
04 The Hollies - Look Through Any Window
05 Mega City Four - Stop
06 Louis Armstrong - What A Wonderful World
07 Patti Smith - Mother Rose
08 The Aardvarks - I'm Higher Than I'm Down
09 Redd Kross - Bubblegum Factory
10 Jalla Jalla - Minnesota Plates
11 Gene Vincent - B-I-Bickey-Bi, Bo-Bo-Go
12 The Only Ones - Another Girl, Another Planet
13 Lew Lewis Reformer - Win or Lose
14 Charles Mingus - Better Get Hit In Your Soul
02 Nolan Strong & The Diablos - The Wind
03 Roky Erickson - I Have Always Been Here Before
04 The Hollies - Look Through Any Window
05 Mega City Four - Stop
06 Louis Armstrong - What A Wonderful World
07 Patti Smith - Mother Rose
08 The Aardvarks - I'm Higher Than I'm Down
09 Redd Kross - Bubblegum Factory
10 Jalla Jalla - Minnesota Plates
11 Gene Vincent - B-I-Bickey-Bi, Bo-Bo-Go
12 The Only Ones - Another Girl, Another Planet
13 Lew Lewis Reformer - Win or Lose
14 Charles Mingus - Better Get Hit In Your Soul